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Automatic recording of camera settings and slate data such as project, scene number, take and special notes. Metadata SupportĪutomatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses.
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Scene average auto exposure in video mode. Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Focusįocus button turns on peaking, auto focus available using compatible lenses. HD Windowed – Up to 240 fps Built in ND Filtersįour position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters. Maximum sensor frame rate dependent on resolution and codec selected. Lens ControlĮlectronic control via EF mount pins or 12pin broadcast connector for compatible lenses Dynamic RangeĤ608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), Interchangeable with optional PL, B4 and F lens mounts. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!ĮF mount included. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C expansion port for recording directly to external disks. URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more! There’s even a USB‑C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times! URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action.
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